In the gaming world everyone loves the shiny, new thing. But when that fascination gets in the way of appreciating enduring quality, it should be resisted. Even though several years past its release date, now, I still say that, in the category of free games, still the top of the line in the best games for PC remains this swell bossa nova noir game, as I like to call it, Gravity Bones. A delightful standalone game, it immerses the player in a kind of avant garde art piece, functioning as a first person player mode, where we find ourselves strolling through a world of spy-like intrigue.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
Fine and good, but why do I rave about it so, you might ask. The great fun in this game comes from both its experience-based playing method as well as its strikingly realized aesthetic world. Calling this a first-person game, while accurate, doesn't do justice to its originality. This one is kind of a new genre all of it own: bossa nova noir!
It wouldn't be accurate to deny it having a story, but the sense of story is much more sophisticated than the paint-by-numbers storytelling of so many popular games. As the various tasks are fulfilled a story does take shape, but what is exactly happening is always a bit up in the air. Indeed, in keeping with the distinctive visual style, it wouldn't be unfair to compare this game to a avant garde film: which is to say that the story is subject to considerable interpretation.
Right from the start you're thrust into a kind of Euro-spy scene as you find yourself wandering amid elegantly dressed blockheads (really, you have to see it, to understand) all making merry at some black tie cocktail party spread out over a series of terraces with spectacular views of a lake and surrounding mountains. A smooth bossa nova sound track follows you among the crowd. You're already on your first mission the moment you're out of the elevator.
This first level, really a test run, is quickly completed. The second level seems to take you behind the scenes. Once more you are delivered by elevator. This time you emerge in a scenario that is more elaborate and complicated. On this second level, your missions take you through a series of back corridors and over a number of exterior catwalks during an ominous and stormy night.
I have almost no criticisms of this elegant and compact great little game. The one thing I didn't like though was the clue cards, invariably telling you to head to a furnace room. I could have totally done without those. And, in fact, I did do without them. I simply ignored them and had a lot more fun finding my way about through exploratory trial and error. At most the cards should be optional, I think. My method was loads more fun.
The aesthetics of this game are beautiful and the play is engaging. I really appreciated the creator's wise choice to not resort to the standard polygon realism so rampant in the gaming world today. Instead, the choice to conjure up a vivid and original world is far more beautiful and satisfying than would have been the same challenges put into the usual boring "realism." The espionage sensibility evokes a sense of playful self-mocking that doesn't slip over into cloying irony.
Though short and sweet, for play and aesthetics alike, this game is a real treat. It's definitely still our number one choice among the best games for PC in the free category.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
Fine and good, but why do I rave about it so, you might ask. The great fun in this game comes from both its experience-based playing method as well as its strikingly realized aesthetic world. Calling this a first-person game, while accurate, doesn't do justice to its originality. This one is kind of a new genre all of it own: bossa nova noir!
It wouldn't be accurate to deny it having a story, but the sense of story is much more sophisticated than the paint-by-numbers storytelling of so many popular games. As the various tasks are fulfilled a story does take shape, but what is exactly happening is always a bit up in the air. Indeed, in keeping with the distinctive visual style, it wouldn't be unfair to compare this game to a avant garde film: which is to say that the story is subject to considerable interpretation.
Right from the start you're thrust into a kind of Euro-spy scene as you find yourself wandering amid elegantly dressed blockheads (really, you have to see it, to understand) all making merry at some black tie cocktail party spread out over a series of terraces with spectacular views of a lake and surrounding mountains. A smooth bossa nova sound track follows you among the crowd. You're already on your first mission the moment you're out of the elevator.
This first level, really a test run, is quickly completed. The second level seems to take you behind the scenes. Once more you are delivered by elevator. This time you emerge in a scenario that is more elaborate and complicated. On this second level, your missions take you through a series of back corridors and over a number of exterior catwalks during an ominous and stormy night.
I have almost no criticisms of this elegant and compact great little game. The one thing I didn't like though was the clue cards, invariably telling you to head to a furnace room. I could have totally done without those. And, in fact, I did do without them. I simply ignored them and had a lot more fun finding my way about through exploratory trial and error. At most the cards should be optional, I think. My method was loads more fun.
The aesthetics of this game are beautiful and the play is engaging. I really appreciated the creator's wise choice to not resort to the standard polygon realism so rampant in the gaming world today. Instead, the choice to conjure up a vivid and original world is far more beautiful and satisfying than would have been the same challenges put into the usual boring "realism." The espionage sensibility evokes a sense of playful self-mocking that doesn't slip over into cloying irony.
Though short and sweet, for play and aesthetics alike, this game is a real treat. It's definitely still our number one choice among the best games for PC in the free category.
About the Author:
If you have the scoop on the top pay games for PC, you have to check out Mickey Jhonny's picks of the best games for PC. Those keen on the joys of emersive, parallel experiences will love his piece over at Pretty Much Dead Already on the phenomenon of the Walking Dead Fanfiction .
